The Colonial Oak Music Park

Jammy Buffett (Ticketed Show) - March 8
2026-03-08 18:00 - 22:00 UTC | Colonial Oak Music Park, 21 St George Street, St Augustine, FL, 32084, United States
Jimmy Buffett often spoke of “traveling the songlines,” a phrase borrowed from the Aboriginal tradition of mapping the land through music and story—paths that connect people, places, and moments across time. Jammy Buffet picks up that journey, where Buffett’s coastal storytelling meets the improvisational spirit of the jam band world. Led by singer-songwriter Bob Barrick, with key contributions from Brendan Mayer (son of longtime Coral Reefer Peter Mayer), bassist Andrew Cooney, drummer Tyler Gwynn, this Colorado–Tennessee outfit breathes new life into Buffett’s timeless “Gulf & Western” sound. Their live shows offer something for everyone: greatest-hit singalongs for casual fans, deep cuts for the diehard Parrotheads, and cosmic, exploratory jams for those along for the ride. Expect sun-soaked grooves, surprise segues, and barefoot boogie energy from start to finish. With collaborations featuring original Coral Reefers Roger Bartlett and Peter Mayer, Jammy Buffet is quickly making waves in the Gulf & Western world—bringing fresh musicianship and modern jam sensibilities to Buffett’s storied catalog.

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One Good Ring – March 19
2026-03-19 19:00 - 22:00 (America/New_York)
One Good Ring, a St. Augustine–based band, draws inspiration from the Grateful Dead, blending classic jam-band grooves with their own unique energy. Known for their engaging live shows, the band combines improvisational jams with familiar melodies, creating a lively and memorable experience for fans of all ages. Catch them at The Colonial Oak Music Park for an evening of rock, rhythm, and community vibes.

Bearly Dead (Ticketed Show) – April 12
2026-04-12 18:00 - 22:00 (America/New_York)
Dead & more like never before! Bearly Dead, a nationally-touring Grateful Dead tribute, is a true party band delivering a full-spectrum live experience filled with danceable energy, extraordinary performance antics, and world-class musicianship. The band’s concert-style show celebrates the journey of the Grateful Dead from their earliest records until their final tours while weaving in potent classics from notable jam, rock, and funk artists. Each and every Grateful Dead member is honored through unique takes on the hits, b-sides, and deep cuts. Holding true to the spirit of the music, Bearly Dead frequently adds to their 250+ song catalog and continues to showcase spontaneous improvisation and exploratory jams – live and in-person – making each show a wildly cosmic experience you do not want to miss!

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Turnover (Ticketed) - June 16 & 17
2026-06-16 18:00 - 2026-06-17 22:00 (America/New_York)
TURNOVER
The title track of the band’s new album, Myself in the Way, speaks to this mindset. “I can’t put myself in the way of love again,” sings Getz, “I promise I’m going to go all the way with you,” is specifically about Getz getting engaged to his longtime partner, but applies to the general outlook he had toward life in lockdown. “I was living in Sebastopol, California at the time and felt like I truly lived there for the first time since I wasn’t leaving for tour. I was able to go meditate at the Zen Buddhist dojo down the road, run and bike around the hills in Sonoma county, learn about plants and gardening, take some Spanish and arboriculture classes, and get involved with the volunteer fire department. Just do a bunch of new things to challenge and inspire me in a natural way.” Turnover’s other members also used the time to deepen interests they hadn’t been able to fully explore before covid. Bass player Dan Dempsey was in New York City and responded to lockdown by spending more time practicing his visual art in drawing and painting. He painted the album’s cover during this period and developed a style that has become a central theme for the band in its current iteration. Drummer Casey Getz found work at a Virginia Beach state park as touring continued to be postponed. He was in search of and inspired by having a work-life balance different than he’d experienced since he was younger. Through this, he was able to nurture current relationships more and find new ones, something touring made much more difficult. This led to Casey playing drums with a group of longtime friends in Virginia Beach and further developing his drumming style – adding a new prowess for fluidity and improvisation through lengthy jam sessions with the group. Guitarist Nick Rayfield was focused on sharpening his guitar and piano playing and was able to devote energy to skateboarding and his retail business more than he had been able to for the last few years. This was also the band’s first album with Rayfield making songwriting contributions after touring with them for years as a live member, adding a new creative element to the songs. Over 18 months Turnover weaved these individual experiences into a collective work, recording the LP over two sessions with longtime collaborator Will Yip at Studio 4. Austin is credited, for the first time, as co-producer. “I had specific ideas for sound design on this album. I knew a lot of sounds I wanted to hear and use. We wanted everything to be able to be heard and have its own place. I was inspired by the way Magical Mystery Tour and Dark Side of the Moon sounded. We decided to go a lot wider with it and utilize panning and stereo more than we had in the past, while also wanting it to sound tighter and smaller than some of our earlier records. We were inspired by drum and bass sounds from Chic and Quincy Jones records from the 70s, so we put the drums in the control room to get them to sound smaller. We used an active pickup bass and a jazz bass to get that percussive sound from the bass so the low end wasn’t as rumbling and subby. We let the synths share some of that low end that the drums and bass gave up. Quincy’s approach to arrangements were a huge inspiration in this record as well. The horn and string lines I wanted to sound like classic era disco, mixed with modern synth and vocal sounds. I had been experimenting with my own vocal styles a lot and utilized autotune and vocoder on this album almost as instruments on certain songs as a stylistic choice.” The band has always been DIY, but post pandemic they have taken that to a different level. They appreciate more than ever how lucky they are to get to be together and have fun creating things with their friends. They have found that they are usually best suited for executing their own vision, not only musically, but with all its accompaniments as well. For this album they made all their own videos in collaboration with friends and using Dempsey’s drawings and paintings. Change is authentic and true to Turnover as a band and as individuals. Chart a course through their discography and find a band continually reinventing themselves with a unique artistic ambition. Myself In The Way arrives finding Turnover doing the same within their own persons, pushing the band into new and exciting parallel depths of expression.
NARROW HEAD
Truly great pop songs do not require a cheery outlook in order to work, nor do they pander to expectations of syrupy sweet easy-listening. Rather, the best pop music is a matter of refinement and pure intention, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison, revealing some brief, sober truth about our shared human condition. On their third LP, Moments of Clarity (Run for Cover), Narrow Head have achieved precisely this feat. Traversing the depths of massive, churning riffs, often distorted to the point of violence, bouncing, lock-grooved rhythms, and crystalline, gorgeously constructed hooks, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain, pleasure, and confusion of modern living. Each track is sentimental without being precious, heavy without unnecessary griminess, pop-forward without letting the listener off the hook easy: these songs ask for some form of hurt or desire to be paid back to them in return, some promise that the listener is putting equal skin into the game.
SHE’S GREEN
Minneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins, the band — consisting of Liam Armstrong, Zofia Smith, Raines Lucas, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy, emotional openness and sonic depth. In 2023 she’s green released their debut EP, Wisteria, which included the viral hit “Mandy,” and in 2025 they released the follow-up EP, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm,” Armstrong says. And as they win over fans everywhere they go with their authentic, loving approach to their sound, it’s clear that this huge year for she’s green is only the beginning.
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Moonstone Riders – July 10
2026-07-10 19:00 - 22:00 (America/New_York)
Moonstone Riders deliver a dynamic blend of rock and roll infused with twangy psychedelic funk, creating a sound that feels both nostalgic and forward-looking. Based in Naples, FL, the band features Matt Benfield on guitar and vocals, Marcia Winslow on vocals and percussion, and Jeffrey James on bass and vocals. Known for their engaging live performances, they mix original music with reimagined covers, often expanding into improvisational jams that highlight their musical chemistry.

Ajeva - July 24
2026-07-24 19:00 - 22:00 (America/New_York)
Ajeva is a St. Petersburg, FL-based band blending experimental rock, jamtronica, and funk with a strong focus on improvisation. They have shared stages with acts such as Pigeons Playing Ping Pong, Spafford, The Motet, Keller Williams, The Disco Biscuits, and The Main Squeeze, and have appeared at major festivals including Suwannee Hulaween. Don’t miss the chance to see them live and experience their dynamic, ever-evolving sound in person.
